My inbox seems to clear of a rash of GDPR-related emails, at last. A disconcerting number of them were from sites I don’t remember subscribing to. I updated my preferences for receiving updates and newsletters (mainly of the poetry kind) but consistently failed to find ‘unsubscribe’ links for those companies who expected me to wade through the legalese of their Updated Privacy Policies (I tried; I gave up).
I’d already begun reducing my email subscriptions, anyway. Online reading seems to occupy an ever increasing amount of my time. Instead, I could be bramble-wrangling in the garden, cracking the spine of ‘shelved’ recipe books, relieving the loft of a burden of boxes. Or mining the TBR pile for treasure. Or writing.
What my (poetry) subscription emails do provide:
- a window on what’s new and happening in the poetry world
- updates on events I’d like to attend
- publication news
- new posts on my favourite blogs
- reviews of poetry pamphlets I’ve read/can’t wait to read
- discovering the interesting and surprising via linked content
- discovering ‘new’ poets whose work I enjoy
- information on MOOCs, workshops, etc
However, I’m mindful that my inbox currently holds 770 emails. Almost all of these are poetry/writing-related subscription emails. They’re fantastic resources for an ongoing poetry education (Brain Pickings, POETRY magazine, Poets.org, Poets & Writers) so why do these ‘Round-to-its’ continue to stack up? I think most of the backlog is a legacy from my working life when I used to daydream about WHEN, of sitting in my favourite armchair, reading my way through the lot. I thought I’d have oh, so much more time for all my Neglecteds when I retired. How misguided I was!
One day, I’ll give myself permission to delete the lot and make a fresh start. Maybe. Right now, I’m heading for my lounger with a book. The garden’s looking starry-eyed, despite last night’s storm.
On a personal level, 2017 will live long in my memory as the year in which:
- I retired from Primary School teaching
- We down-sized
- My husband’s sudden illness and ongoing recovery put everything else into perspective
Consequently, my poetry year has comprised short periods of intense activity and extended periods when writing (and reading, too, at times) could not have been further from my mind. And, at one point, I felt less like reading and writing poetry than I have ever felt.
- April was a good month: Carrie Etter’s NaPoWriMo Facebook group, the prompts and spirit of mutual encouragement saw me writing daily – at best an early poem draft, at worst a few lines in my notebook. There’s a legacy in lines for future fodder, poems-in-progress and poems already submitted.
- Published: a poem in Eyewear’s ‘Best British & Irish Poets’ 2017 anthology and a poem in issue 66 of The Interpreter’s House magazine.
- Accepted: a poem for the DIVERSIFLY anthology (Fair Acre Press) to be published next month; two poems for issue 21 of Under the Radar magazine to be published next spring.
- Rejections: numerous, which is a good thing in that, for a while, there was hope for those poems, and I then had the choice of whether to re-draft or re-submit them.
- Submissions still ‘out there’: 5 poems entered for 3 competitions.
- Ready for submission: 9 poems, being 7 re-submissions and 2 first submissions.
3 stand-out poetry collections/pamphlets:
- Some Couples by Jennifer Copley (HappenStance)
- All My Mad Mothers by Jacqueline Saphra (Nine Arches Press)
- This is Not a Rescue by Emily Blewitt (Seren)
3 poems for our times that I keep going back to:
Online reading: far too much to include, but notably:
- blogs by other writers/poets (you know who you are, and thank you all for enriching my reading with new-to-me poets, poetry and blog sites).
- Maria Popova’s Brain Pickings: rich seams to mine (and a reminder to self that I’m waaay behind on these weekly posts).
- Jen Campbell’s Youtube channel: she’s responsible for numerous purchases of prose and poetry this year, including her own books.
Some helped to keep me sane when ‘stuff’ was way too stressful; others were highlights. Since I’ve opted to limit myself to three worthy of mention:
My sincere thanks go to:
- Soundswrite poetry group and South Leics poetry stanza: for lively poetry discussion and insightful feedback on poem drafts.
- Farhana Shaikh and fellow writers across the genres at monthly Writers’ Meet-ups in Leicester.
- Matthew Vaughan and Leicester Central Library: for monthly Write On events showcasing the work of Leicester writers.
- And, not least, to all of you who have taken the time to read, ‘like’, comment on and share my blog posts this year.
Wishing you all a happy New Year! 🙂