In her most recent micro-review post, Sarah James says:
The vivid sensual details of the first half of the pamphlet bring a whole era to life, with subtly startling yet apt memorable lines, such as “tannin, bitter through the Tate & Lyle scree”.
Of the collection’s darker side:
Not all stories from the era are sweet though, a darker side revealed in the hauntingly beautiful poems of the second half that gradually bring us back through poems that could be then or now to the present day and then the present day looking back, linking us again to the pamphlet’s opening.
On her journey as a reader:
Each re-reading brings new connections with these evocative and atmospheric poems.
From “my spine | a river of running quavers that stick | to the soles of my sensible shoes” (Sin É) back to “ re-set your body clock to seal a time line” (Grace Notes), and then immersed again in a constant invitation to “Slip beyond the tune.” (Grace Notes)
Sarah James has been widely published in poetry magazines and anthologies. She has published four full-length poetry collections, most recently The Magnetic Diaries (Knives, Forks & Spoons Press) and plenty-fish (Nine Arches Press). She co-edits poetry small press V.Press.